Canne Holladay- Seattle, WA
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Canne draws inspiration from cell being defined as “any one of the very small parts that together form all living things.”
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Amy Simons- Seattle, WA
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Amy considers each coil like a stitch in a knitted sweater, that doesn’t stand out as an individual loop, but if broken would unravel the whole garment.
Read MoreIsaac Howard- Seattle, WA
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Isaac Howard blends the fluidity of the potter's wheel and the path of the fire with the kiln in his tableware.
Read MoreChad Gunderson- Tacoma, WA
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http://chadgundersonart.com
Chad Gunderson aims to incorporate many of the same enticing qualities that he admires in scholars’ rocks including: asymmetry, openness, texture, and a kinship to mountainous landscapes or figures.
Joe Wilkinson- Seattle, WA
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http://www.joewilkinsonstudio.com/
Abstractions of natural world phenomena, from cosmic supernova to mangrove root systems, make their way into everything Joe Wilkinson creates.
Lisa Conway- Vancouver, WA
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http://www.lisaconway.com/
Lisa Conway abstractions beautifully engage the viewer and entice a reaction. She wants her artwork to remind us of our own bodies, whether they be blushing or sagging, ticklish, tender, erect or deflated.
Patsy Cox- Northridge, CA
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http://www.patsycox.com/
Patsy Cox configures multiple parts into a menagerie of shapes and color.I use forms and textures found in nature in extreme repetition to capture the constantly expanding and reconfiguring urban landscape.
Sam Scott- Shoreline, WA
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http://www.samscottpottery.com/
Sam Scott chooses forms, functional or not, that are predominantly reduced to the elemental such as cylinder, sphere, or plate. He has developed three distinct bodies of work over the years.
Marge Levy- Seattle, WA
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https://www.linkedin.com/in/marge-levy-60462123
Capturing a moment and savoring it; for Marge Levy that is the pleasures of making highly decorated vessels where edges and pattern unite.
John Chwekun- San Diego, CA
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http://www.johnchwekun.com/
"Eyes widen and narrow under adjusting brows. Heads tilt, lean in, or turn away. I wish viewers would literally engage in dialogue with the artwork before them...," offers John Chwekun.
Carol Gouthro- Seattle, WA
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http://www.carolgouthro.com/
When Carol Gouthro starts working on a new sculptural piece, she is often responding to something she is captivated by. It might be something something in her garden or it might be something she sees in her tool drawer- like the elegant line of a plastic French curve.