Cappy Thompson

  Dreamscape: Three Aspects of My Soul  Vitreous enamels reverse-painted on glass mounted to brushed metal panel 23" x 29", 2009

Dreamscape: Three Aspects of My Soul
Vitreous enamels reverse-painted on glass mounted to brushed metal panel
23" x 29", 2009

Bio
Seattle local, Cappy Thompson is an internationally recognized artist known for her mytho-poetic narratives on glass using the grisaille (or gray-tonal) painting technique.

Artist Statement
For me, as a narrative painter, the issue has always been content.  The issue wasn’t glass, the material that I chose some 37 years ago.  Nor was it the painting technique—grisaille or gray-tonal painting—that I taught myself to use.  My work—which spans several decades and a variety of scales from the intimate to the monumental—has always been driven by content.

Early in my career I was drawn to the images, symbols and painting of the medieval period—but not just the Christian tradition of Western Europe.  I loved the content of Hindu, Pagan, Judaic, Buddhist and Islamic painting as well. 

 

These were images created before the invention of “art” as we know it—before painters controlled the content of their work.  These were works decreed by religious and political authorities to depict the magnificence and beauty of the natural and divine order.

 

What I loved was the naïve naturalism and devout simplicity of that period—like the folk art of any period.

 

I started by designing and painting glass panels based on the narrative content of mythology, fables and folktales, drawn in oblique projection, with transparent jewel-like colors.  Later I painted similar narratives on glass vessels.

 

About fifteen years ago I found myself moving away from mythological narrative and toward compositions on vessels that drew upon images and themes from my personal life.  Elements would drift up and assemble into picture-poems that seemed to have a life of their own.

 

I began to understand these works as reflections of the spiritual and psychological issues in my life.  I painted members of my family and myself in a kind of autobiographical fantasy, working with the mythopoetic materials of my life.  I cast myself into scenes from various spiritual traditions.

This began an autobiographical exploration of world culture and spirituality that continues to the present.

I see now, after more than three decades of work, that I am like those medieval painters striving to express magnificence and beauty.  But my expression focuses on the human experience of goodness, of hope and of love.

—Cappy Thompson 

Deborah Schwartzkopf

Rat City Studios is the workspace of Deborah Schwartzkopf, Seattle based studio potter and instructor. Her mission is to engage and build community through clay – one person, one neighborhood, and one experience at a time. In service to this pursuit, she offers studio assistant positions for emerging artists, connects people through social events, instructs classes and workshops, and maintains a lively career in the ceramic arts!