Jonathan Steele- Studio Assistant, Summer 2013

Jonathan Steele
Jonathan Steele
Jonathan Steele
Jonathan Steele

Artists Website
 

Bio
I grew up in the greater Seattle Area. I took my first ceramics class in 2008 as an elective at Whitworth University where I earned a BA in Physics. After graduating, I knew I wanted to dive into ceramics and I took the roundabout path of going back to community college to earn my acceptance into a Post-Bacc program in Art at University of Puget Sound. I earned my MFA in Craft from Oregon College of Art and Craft in 2016. I was a  Resident Artist at Pleasant Hill Pottery in Pleasant Hill, OR. I have accepted an offer for spring 2018 to be Sabbatical Replacement Professor for Chad Gunderson at University of Puget Sound and I look forward to the opportunities that will unfold for me from there.

Artist Statement
To understand clay, it may first be necessary to understand rock, water, salt, fire... To understand life, it may first be necessary to understand joy, fear, love, gratitude…

My ceramic works are my engagement with material as I find beauty in observing and placing my hands in the phenomena of the earth. My muddy footprint in the riverbank is as much my work as the teapot I make from the clay I find there. Stacks of firewood become sculpture when handled with careful attention—they become heat and glaze when thrown into the kiln. My work creates sensitivity to a material dynamic that is ever-present in the world. To that end, I create visual evidence through sculpture and I display movement and material cohesions in my pots. It is my intent to draw my audience’ attention to what is constant around and within them. In my work, as in the world, there is no encryption to be interpreted, only free phenomena to be taken in with an openness toward discovering meaning.  

It is as obvious as it is subtle, that when condensation forms on the windshield as you get into the cold car it means you are made of water. As you drink from a cup made from mud and stone, it means you are made of the earth. The cup doesn’t have to be remarkable—the cup is the remark.

The purpose of art is to provoke understanding.

Experience at Rat City Studios
I began my involvement with Rat City Studios in 2014. I was living in Seattle the summer before starting my MFA and Deb invited me to trade studio space in exchange for helping out with the studio building efforts that were taking place that summer. I helped to build a fence, framed the studio door, and sprung the arch on the pizza oven. I consider Rat City Studios to be one of my first great inspirations as I’ve envisioned making a career as a ceramic artist and setting up a studio for myself in the future. 

Deborah Schwartzkopf

In 2013 Deb established Rat City Studios in her hometown of Seattle, WA. With a passion to engage and build community through clay she uses her unique skill set to offer educational opportunities. As a studio artist, she makes her own fabulous tableware that infuses life with purposeful beauty. Her artwork is recognized and showcased nationally. Deb was inspired by the guidance of amazing mentors along the way. These important relationships helped foster her desire to provide support and mentorship for the growing clay community. Her adventurous spirit has taken her across the country and beyond to build a depth of experience, knowledge, and a supportive network.

Rain City Clay, the sister-studio to Rat City Studios, opened in April of 2022 in West Seattle. This is a space for experiential group learning and exploriinig clay!

With over 15 years of experience, an MFA from Penn State, artwork included in collections (such as the Kamm Teapot Foundation, San Angelo Museum, and the WA State Arts Collection), numerous publications (including Ceramic Monthly, Pottery Making Illustrated, and Studio Potter Magazine), she has been recognized and honored in her career as a maker and is thrilled to be expanding the community.

Deb completed a Master’s of Fine Art at Penn State and has artwork included in numerous collections such as the Kamm Teapot Foundation, San Angelo Museum, and the WA State Arts Collection. She has been featured in numerous principal clay publications including Ceramic Monthly, Pottery Making Illustrated, and Studio Potter Magazine. Deb has been recognized and honored in her career as a maker and is thrilled to be expanding the clay community.

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