The Cup Shelf

Slowly Getting To Know The Cup, And The Rest
by Jake Fetterman

The importance of having handmade things is something that I think about on a daily basis. The feel of them, looking at them, trying to understand the context in which they were made are all a part of the use and my relationship with the object. Coming to Rat City Studios and Garden in July, I was instantly enamored with Deb’s cup collection, containing artists from all over the country. Many of these artists I had only seen in magazines and online, but being a very tactile person, just seeing them in a picture was never enough. Being able to get know these objects helps me with my work and my process. Seeing how a certain handle feels or how a rim is turned over or how the texture feels influences my actions when I make my work because I will try attributes within work that I like and I will not use attributes that I know that I don’t like because I get to experience them on a daily basis. The slow process of getting to know a handmade object over time through use is extremely important to me to refine my work and make what I make. Using handmade things brings me great pleasure and I am excited to contribute to that.  

A selection of cups…

A selection of cups…

Dining Room Wall

Dining Room Wall

Row One:
Manufactured Chinese Teapots and Cups, Pit-fired Teapot from a village in Western China, Doug Peltzman Teapot, Peter Brondz Pitcher, Deb Schwartzkopf Teapot, Sam Chung Teapot.
Row Two:
Peter Brondz Growler, Mark Shapiro, Deb SchwartzkopfMike Jabbur, Kinu Watanabe Yixing Teapot

Deborah Schwartzkopf

As a studio artist, she makes fabulous tableware that infuses life with purposeful beauty. Deb was inspired by the guidance of amazing mentors along the way. These important relationships fostered her desire to engage and build community through clay. Her adventurous spirit has taken her across the country and beyond to form a depth of experience, knowledge, and a supportive network.

In 2013 Deb established Rat City Studios in her hometown of Seattle, WA. RCS is her home and personal studio, as well as, a creative space for multiple studio members working independently. In 2022 she opened a sister studio, Rain City Clay in West Seattle. RCC is a community art center focusing on experiential learning through ceramics classes of all levels.

With over 15 years of experience, a Master’s of Fine Art at Penn State, artwork included in collections such as the Kamm Teapot Foundation, San Angelo Museum, and the WA State Arts Collection, numerous publications including Ceramic Monthly, Pottery Making Illustrated, and Studio Potter Magazine, she has been recognized and honored in her career as a maker.

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