Polish Your Professional Practices.
The Basic Exchange: An Overview
This is a work-trade agreement. Assist Deb Schwartzkopf in exchange for studio space, & instruction in a variety of topics pertaining to succeeding as a professional artist, best studio practices, and clay working techniques. This is an opportunity to work with an active artist and to apply this information in a hands-on manner. Have one foot in the real world of supporting yourself, and take in the cycles and challenges of making a living as a working artist.
What I Am Looking For:
I want to work with individuals who are committed to their career in the ceramic arts. I'm looking for personal motivation and eagerness to learn. I work very hard and will expect you to as well. While the work you show me in the application is vital, above all I am looking for a good fit for my studio and a dedicated worker. My work-spaces are important to me; they are a huge part of my daily living. The mental space and energy I foster supports my ability to be successful and to work long hours. As an assistant I ask that you respect the space and add as much as you can to our exchange. This includes striving forward with your own work, finishing the tasks given to you thoroughly (however small), meeting deadlines, and contributing your enthusiasm to studio life. In my studio I strive to balance long hours with a sense of humor, attention to detail with experimentation, & community with respect for privacy and personal growth.
Ideal Candidate Qualities:
Dedicated to your own Studio Practice- This assistantship is intended for those looking to grow in their own practice. Plan on spending a minimum of two days a week working towards your own goals and two days a week as an assistant. This makes having a day-job difficult. I expect you to be at the studio 40 hours a week (working on your own work and assisting me).
Commitment- With this assistantship I am looking for a one-year commitment. Two full days a week are regularly scheduled for assisting. If you plan to have a day job, these two agreed upon days will need to be the priority. Your studio practice days should also take priority over any other day job. In applying for this take into account the expenses tied to living in a city. I want your focus to be this assistantship & your studio time..
Starting Point- Please plan on starting your practice at the cone six firing temperature using an electric kiln. You will be able to jump forward faster by putting tests in my firings and using the database of glazes that has been tested and documented. Once you are comfortable using our kilns and facilities you may ask to change gears and move in another direction. I have also developed a glaze resource your make take advantage of...
Studio projects are never ending. The hours you spend working for me will include anything from mopping to weeding the garden, from rolling slabs to entering emails on my listserve, from talking with customers at events to recycling clay, from helping paint the walls to building carts, from tidying the studio to running errands to the clay supply stores, from working on the website to loading kilns... Many of the jobs require physical fitness and a strong back. We will all be loading kilns, hauling boxes and doing ladder work. Please let me know if you have any hindrances to working physically.
Due May 1st
Start date in Aug./ Sept.
Notification By June 1st
Please carefully meet ALL the requirements listed below. Late applications are not considered
Application Fee: $20
Website - On your personal website include, a minimum of 10 images with captions (of recent, completely finished work)
Resume- indicating professional development
Writings One Page Total:
Offered through the link below...
Artist Statement, Bio, Goals and Intent Statement, References, Contact Information.
The Nitty Gritty
You will be working for upto 15 hours a week with me in exchange for a studio space and guidance with your career/ artwork. You will not be helping me make my work, but rather all the tasks required in making pottery for a living. It will also be tasks relating to my home and landscape upkeep. We will work as a group one day a week and individually on another day of the week. Plan on spending two days a week on requests from me. We have a group meeting often on Tuesdays where requests are outlined, projects problem solved, and everyone makes sure they are on the same page. This is also a time to ask questions and set up meetings with me.
You Will Receive:
The list included below depends heavily on your personal commitment to seeking after each of these skills or experiences.
The more time you spend in the studio, the more you will gain from this experience.
I will have formal reviews. At these reviews you will be expected to have finished work and to show serious movement forward with your ideas. These will be a structured chance to ask questions, receive my input, seek resources, and check in on any concerns that are present. The first review will be a chance for you to give feedback on how the studio is fitting your needs, what you want to continue pursuing and other concerns. At the first review I will also give feedback about how you are fitting into the studio. I reserve the right to end the assistantship if I feel that it is not a good fit- in other words, if you are not working on your own work or I find you difficult to work with.
Regular feedback /critique/ instruction will be scheduled at your request. I want to meet with you. I want to facilitate your experience. It is exciting for me to watch your ideas unfold. My instruction is not to teach you how to make my work. The topics we cover will be set by your interests and work ethic. It is your personal motivation that will set the tone for your experience here and lead to your success.
You will receive a space to work in and leave set up as your work area. During the holiday show or if I host a workshop, you may have to consolidate your space for a day or two. This work space will be available to you seven days a week from 8am-11:30pm. There is a teaching studio in part of the building that you may spread out it when there are no classes in session. You may only use this space if you are using a light colored/ white clay and you clean up thoroughly after each use.
Web / Social Media Presence:
Be part of our monthly newsletter and postings online
Write articles for the website blog
Make playlists for the studio Spotify Account
Help with and be promoted on the studio IG/ FB
Your website will be linked on my website
I will show your work in my slide talks at workshops
Mapping career options/ breaking down tasks
Maintaining email list/ formatting emails w/ MailChimp Platform
Setting up/ Advertising a home show/ studio sale (December)
Teaching/ workshop/ lecture presenting.
(I will try and provide the chance for you to be present at one or some of the classes I teach. This will be most likely should there be a local event, but these are irregular events so I cannot be specific about this. It is likely however)
Packing and Shipping work to Galleries
Approaching/ Maintaining gallery relationships
Broad exposure to the ceramic community in Seattle
Feedback for written artist statements and resume
Promotion of your work
Finding a Place to Live in Seattle:
Seattle is not a cheap place to live. Rent is high and in high demand. I have made an arrangement to have housing for two studio assistants with a friend who lives about one mile from the studio. This room for rent is tied to the assistant position here at the studio. Regularly a studio apartment in Seattle would run around $1000 a month or more. The rooms are renting for around $400 plus utilities. Details on this arrangement will be sent to you after your application is received. Learn more about the area!