Joe Wilkinson- Seattle, WA

Joe Wilkinson
Joe Wilkinson
Joe Wilkinson

http://www.joewilkinsonstudio.com/

Becoming is a word that informs my work. Notions of shifting relationships regarding self, community, and politic have always intrigued me, and keep me actively engaged in discerning the wonder of our past and present. Accordingly, phenomena of the natural world from cosmic supernova to mangrove root systems, which live in multiple states of nature simultaneously, strike me as visual metaphors to relate these notions and make their way into everything I create. These networks are always in motion, expanding and contracting, accumulating and eroding, much like human knowledge and interactions within and without. That liminal state of being is where questions are born, where depth of character continues to unfold and most importantly where empathy is cultivated.

My desire is to intrigue viewers into a sense of discovery, much as a child embodies new understanding of the world around them. I want for a viewer to be pulled to examine from afar and in close. The use of abstraction, positive and negative spaces, unusual forms, and ways of contextualizing present adults moments outside of the mundane and “known”, placing them in a fresh space of curiosity. Abstraction, throughout the history of art has always been about the emotional self, about the search for the deepest sense of connectivity to the overwhelming feelings of the spirit. An accumulation of those experiences can be a powerful force, and much like rocks in a river can recreate patterns of engagement diverging the landscape of ones perceptions.

Clay is my vehicle to live in that space. The act of creation, from the lump of wet earth to the sculpture it becomes, satisfies my desire to exist in an undetermined world. This material, which can be anything, keeps my imagination moving, and pokes at my attentiveness to the possibilities of new forms and surfaces. I am able to develop new relationships all the time. Forms come to life, weaving their way through space, connecting and bifurcating, revealing themselves moment-by-moment, experience-by-experience.  The artist Ann Hamilton wrote, “One doesn’t arrive – in words or in art – by necessarily knowing where one is going.” The old adage, “it’s not about the destination, but the journey” comes to mind. Clay and connections to science and philosophy keep me examining and loving the journey.

Joe Wilkinson is a sculptor and installation artist living in Seattle, Washington with his girlfriend Deb Schwartzkopf. He received his BFA from the University of Colorado, Boulder in 2013, and his MFA from Michigan State in 2016. He is currently in residence at Pottery Northwest in downtown Seattle until October of 2018. He also works with sculptor John Grade fabricating and installing large artworks throughout the US and beyond.

Deborah Schwartzkopf

In 2013 Deb established Rat City Studios in her hometown of Seattle, WA. With a passion to engage and build community through clay she uses her unique skill set to offer educational opportunities. As a studio artist, she makes her own fabulous tableware that infuses life with purposeful beauty. Her artwork is recognized and showcased nationally. Deb was inspired by the guidance of amazing mentors along the way. These important relationships helped foster her desire to provide support and mentorship for the growing clay community. Her adventurous spirit has taken her across the country and beyond to build a depth of experience, knowledge, and a supportive network.

Rain City Clay, the sister-studio to Rat City Studios, opened in April of 2022 in West Seattle. This is a space for experiential group learning and exploriinig clay!

With over 15 years of experience, an MFA from Penn State, artwork included in collections (such as the Kamm Teapot Foundation, San Angelo Museum, and the WA State Arts Collection), numerous publications (including Ceramic Monthly, Pottery Making Illustrated, and Studio Potter Magazine), she has been recognized and honored in her career as a maker and is thrilled to be expanding the community.

Deb completed a Master’s of Fine Art at Penn State and has artwork included in numerous collections such as the Kamm Teapot Foundation, San Angelo Museum, and the WA State Arts Collection. She has been featured in numerous principal clay publications including Ceramic Monthly, Pottery Making Illustrated, and Studio Potter Magazine. Deb has been recognized and honored in her career as a maker and is thrilled to be expanding the clay community.